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The original camera file gives the best result; re-saved copies bake the noise into blocks.
Clear the speckle out of high-ISO, night and scanned photos without wiping the detail underneath.
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Digital noise is the colored speckle a sensor produces when it amplifies a weak signal — high ISO, night shots, deep shadows. Film grain is different: it is part of how the picture was made, and scans carry it as texture rather than error. The noise source setting tells the model which one it is looking at.
Every denoiser trades noise against texture, because at the pixel level fine detail and fine noise look alike. Detail retention is that dial: raise it and some speckle stays, lower it and skin, fabric and foliage start looking like plastic.
The original camera file gives the best result; re-saved copies bake the noise into blocks.
High ISO, night or scanned film. Each has a different noise pattern to remove.
Push strength until the speckle goes, then raise detail retention until texture returns.
Sensor noise, night shots and film scans are treated as the different problems they are.
A direct control over how much fine texture survives the pass instead of a single fixed setting.
Leave a trace of grain so the result still reads as a photograph rather than a render.
Chroma blotches in shadows are removed separately from luminance noise.
Anything shot above ISO 3200 tends to look better after a pass than after any exposure fix.
Clean the scan before colorizing or restoring, so the next pass is not amplifying speckle.
Noise that hides on a phone screen becomes visible texture on paper.
Noise is sensor error, mostly random colored speckle. Grain is the texture of film, part of the image itself. Set the source to scanned film and turn on the grain option when you want the character kept.
Detail retention is too low for the strength you used. Raise retention to high, or lower the strength — the pass cannot tell fine skin texture from fine noise without that hint.
No, it only cleans. Run the upscaler afterwards if you also need a larger file, or use the enhancer to do both in one pass.
Around 50 percent for high-ISO photos, lower for anything already fairly clean. Judge it at 100 percent zoom, not on the thumbnail.
Partly. Blocking is not noise, so it is smoothed rather than removed. Start from the least-compressed copy you still have.
Upload the shot, set the strength and keep the detail underneath.